Lynch demonstrates a control over his ideas that comes from a pure lyrical telling, a speech act that, if you let it, will take you anywhere. Beyond the Sea is frightening but beautiful.”​

 

THE GUARDIAN

 

Paul Lynch is the internationally-acclaimed, prize-winning author of four novels: BEYOND THE SEA, GRACE, THE BLACK SNOW and RED SKY IN MORNING.

His debut novel RED SKY IN MORNING was published to critical acclaim on both sides of the Atlantic in 2013. It was a finalist for France’s Prix du Meilleur Livre Étranger (Best Foreign Book Prize) and was nominated for the Prix du Premier Roman (First Novel Prize). In the US, it was an Amazon.com Book of the Month and was featured on NPR’s All Things Considered, where Lynch was hailed as “a lapidary young master”. It was a book of the year in The Irish Times, The Toronto Star, the Irish Independent and the Sunday Business Post.

THE BLACK SNOW (2014) was an Amazon.com Book of the Month. In France it won the French booksellers’ prize Prix Libr’à Nous for Best Foreign Novel and the inaugural Prix des Lecteurs Privat. It was nominated for the Prix Femina and the Prix du Roman Fnac (Fnac Novel Prize). It was hailed as “masterful” by The Sunday Times, “fierce and stunning” by The Toronto Star and featured on NPR’s All Things Considered where Alan Cheuse said that Lynch’s writing was found “somewhere between that of Nobel poet Seamus Heaney and Cormac McCarthy”.

GRACE was published in 2017 to massive international acclaim. The Washington Post called the book, “a moving work of lyrical and at times hallucinatory beauty… that reads like a hybrid of John Steinbeck’s ‘The Grapes of Wrath’ and Cormac McCarthy’s ‘The Road'”. It won the Kerry Group Irish Novel of the Year and was shortlisted for the Walter Scott Prize and the William Saroyan International Prize. In France it was shortlisted for the Prix Jean Monnet for European Literature, among other prizes. It was a book of the year in the Guardian, the Irish Independent, Kirkus and Esquire, a Staff Pick at The Paris Review and an Editors’ Choice in the New York Times Book Review.

BEYOND THE SEA was published in September 2019 to wide critical acclaim in the UK, Ireland, Australia and the US and will be published in the France (2021). The Wall Street Journal called the book "mesmerising"; The Guardian called the book “frightening but beautiful”, while The Sunday Times said it had “echoes of Melville, Dostoyevsky and William Golding”. It was chosen as a book of the year in the Irish Independent by Sebastian Barry who called the book "masterly". 

Paul Lynch was born in Limerick in 1977, grew up in Co Donegal, and lives in Dublin with his wife and two children. He was previously the chief film critic of Ireland’s Sunday Tribune newspaper from 2007 to 2011, and wrote regularly for The Sunday Times on film. He is a full-time novelist.

2020: Ireland Francophonie Ambassadors’ Literary Award: Winner

2019: Prix Jean Monnet for European Literature: Shortlisted

2019: Prix Littérature Monde: Shortlisted

2019: Grand Prix de L’Héroïne: Shortlisted

2018: Kerry Group Irish Novel of the Year: Winner

2018: The Walter Scott Prize for Historical Fiction: Shortlisted

2018: The William Saroyan Prize for International Writing: Shortlisted

2016: Prix Libr’à Nous for Best Foreign Novel: Winner

2016: Prix des Lecteurs Privat: Winner

2016: Ireland Francophonie Ambassadors’ Literary Award: Shortlisted

2015: Prix Femina: Longlisted

2015: Prix du Roman Fnac: Longlisted

2014: Prix du Meilleur Livre Étranger (Best Foreign Book Prize): Shortlisted

2014: Prix du Premier Roman (First Novel Prize): Longlisted

2013: Bord Gais Irish Books of the Year: Shortlisted

Books

Red Sky in Morning

The Black Snow

Grace

Beyond The Sea

 

PRAISE FOR BEYOND THE SEA

 

• Book of the Year, Martina Devlin — The Irish Independent 2019

• Book of the Year, Sebastian Barry — The Irish Independent 2019

• Book of the Year, Peter Cunningham — The Irish Independent 2019

 

“If you have a feeling that the older man has underestimated more than one factor… that he is ignoring too many aspects of his own life, and that as a result both men are in danger from something yet to happen, you’re right: but the scale of it, the extremity of it and the poetry of it are what Paul Lynch is going to show you…. Contemporary Irish fiction prizes delivery, daring and an implicit trust in the reader: Lynch demonstrates a control over his ideas that comes from a pure lyrical telling, a speech act that, if you let it, will take you anywhere. Beyond the Sea is frightening but beautiful.”

— M John Harrison, The Guardian

“…the stark, mesmerizing book reads like an existential argument between…irreconcilable truths, a Beckett play bobbing in the open water … If the two characters seem schematically opposed—will versus fate—Mr. Lynch takes pains to confuse their relationship, changing it from mood to mood into something bitter, paternal, generous or adversarial. The novel’s foundations are like the ocean, too unfixed and unfathomable to allow the philosophical disputes to advance in a linear fashion. Both men appear courageous or cowardly, insane or transcendently wise, depending on the angle of the sunlight—as if the immensity of the setting renders even the firmest distinctions indistinct … Mr. Lynch’s prose style is suitably rationed and sun-cured … Though bare and isolated, this fine book contains multitudes of experience.”

—Sam Sacks, Wall Street Journal

 

“The timeless aura and allegorical undertones of an ancient Greek myth….This is a book that will leave you feeling thoroughly wrung out by the final page, but also happy to be alive.”

— Roger Cox, The Scotsman

 

“Such an aching sense of spaciousness feels in the spirit of its exotic setting, of Latin American sensualists such as Paolo Coelho or Pablo Neruda, or the deep eastern wisdoms of Hermann Hesse… Beyond the Sea deserves a special place in Lynch’s increasingly fascinating and diverse catalogue”

— Hilary A White, Irish Independent

“Masterly.”

— Sebastian Barry, Books of the Year, The Sunday Independent

“Some of the most important fiction in the opening decades of the 21st century has come from Ireland, and Paul Lynch is one of the leading lights of this postmodern Irish Renaissance….In Beyond the Sea, Lynch takes his art to a new place… Lynch manages to transform a news story into a universal tale of friendship and endurance and love … Beyond the Sea is elemental. It is a story sliced to the bone. It compels the reader to look unblinkingly at matters of life and death, at the heart of what it means to be fully human. Lynch puts the reader on that small boat in the blank Pacific, implying that in a profound sense we are all there and must face the same questions that Bolivar and Hector are forced to face.”

— Michael Pearson, New York Journal of Books

 

“Lyrical, fantastical and almost hallucinatory… [with] a metaphysical, Beckett-esque bent… There are echoes of Gabriel García Márquez… [A] haunting, dreamlike novel.”

— John Walshe, The Sunday Business Post

 

“Lynch triumphed with Grace, his penultimate, Famine-themed novel and he does so again with Beyond the Sea. Fantastically written, a truly magnificent portrayal of the gritty battle between despair and hope.”

— Grace Keane, RTE.ie

“Paul Lynch is rightly considered one of Ireland’s rising literary stars…Beyond The Sea acts as parable: about hope vs despair and man vs nature (with subtle climate change warnings running throughout). It’s also a heart-rending story about relationships and redemption.”

— Hot Press

“Elemental… incredibly simple… so beautiful.…a very, very powerful book.”

— Kate Evans and Cassie McCullagh, The Bookshelf, ABC Australia

“Literary representations of the ocean have traditionally been masculine… Lynch both acknowledges and subverts this tradition in Beyond the Sea…Thrillingly stripped-back prose composed of simple, declarative sentences that viscerally captures Bolivar’s physical and spiritual transformation.”

— James Bradley, The Australian

“Lynch’s lat­est book weaves a tightly-writ­ten tale about two fish­er­men who are cast adrift in a tiny boat on a vast, un­for­giv­ing ocean. As time drifts by and it seems to the two men that no one is look­ing for them, the story be­gins to plumb the psy­cho­log­i­cal hu­man depths that nat­u­rally at­tend a hor­ror sce­nario such as the one Lynch un­spar­ingly paints. His writ­ing is lu­mi­nous, his char­ac­ters are vividly real and their un­think­able dilemma feels so close you can prac­ti­cally reach over the side of their boat and touch the wa­ter.”

— El­iz­a­beth Fortes­cue, The Daily Telegraph (Australia)

“With Beyond the Sea, Paul Lynch delivers a post-twentieth century existential parable which highlights the fragility and resilience of the human spirit through a crisis of existence as precarious as it is meaningless. The ocean has ever been a powerful metaphor and literary device, but in the present age the travails of desperate souls upon the seas in search of refuge bears more meaning than in any post-war fiction. With echoes of Camus, McCarthy, Hemingway, and Coleridge, Lynch illustrates the reciprocally indifferent relationship between humanity and its environment, while subtly highlighting the same indifference between humans. The author of Grace (my favourite novel of 2017) presents a harrowing, yet redemptive tale of spiritual purgation delivered with poetic and deeply evocative prose.”

— The Reader (Australia)

“This poetic, ambitious tale by award-winning writer Paul Lynch is reminiscent of Cormac McCarthy and even Ernest Hemingway, though in its Irish fluency and lyricism it is stylistically far away from Hemingway”

— Spectrum (Australia)

“The light and dark of their lives play out in a story that is dazzling, unsettling and deeply revealing of the human condition.”

— Brisbane News

 

 

“[Lynch’s] novels are artistic creations… and Beyond the Sea is based on an extraordinary true story…. Lynch’s concern is not only the minutiae of survival or men battling the elements, although his account of these is exciting and persuasive. His main interest lies in the existential struggle within: how men handle themselves in extremis…  His fourth novel has echoes of Melville, Dostoyevsky and William Golding… But the literary work it most invokes is Coleridge’s The Rime of the Ancient Mariner, with its theme of crime and punishment.”

— The Sunday Times

“Lynch’s characters often come from highly specific cultural and historical milieus – they may be postwar Irish emigrants, nineteenth-century tenant farmers, members of rural communities affected by the Great Famine – but his narration wrenches them from their immediate social context and deposits them in a distant, metaphysical terrain: a space outside their cultural moorings, where they appear perpetually uprooted or displaced. Here, Lynch’s heroes become the locus of complex meditations on memory and identity. Yet the author tends to balance his philosophical speculation with a descriptive strain: one that foregrounds the physical detail of landscapes, settings and bodies.

In Beyond the Sea Lynch heightens and refines these trademark features… [and it] articulates Lynch’s literary preoccupations with striking clarity: the universal questions of whether we can forget the past, whether we engender our own fate, and how much of our soul is expressed in our physical being. Once Bolivar and Hector are cast into the sea – helpless, static and isolated – there is nothing left for the narrator except these existential problems, which he unpacks with a careful, piercing intelligence…

Almost every line, pared down to its essential components, seems cut short by an omission, haunted by something unsaid. Large gaps between the paragraphs entrench this sense of pervasive silence…. its pages are alive with elegance and insight.”

— Oliver Eagleton, The Times Literary Supplement

“An epic with, as epics should have, more than a touch of poetry about it, and possibly the grimmest, but also most beautifully written, novel set at sea that I have read since William Golding’s Pincher Martin

— Andrew Stuttaford, The New Criterion

“Lynch takes a panga boat lost at sea and fashions it into a story that seems to inhale and exhale with the very days and nights experienced on Earth … From the onset, Lynch’s work seems reminiscent of Ernest Hemingway’s The Old Man and the Sea. Of course, a similar setting is produced in Beyond The Sea, but Lynch’s form is also evocative of Hemingway’s style—both writers use short, deliberate sentences and ditch commas in spots where a conjunction might be present, and, as a result, relay a more natural and flowing narrative effect. Lynch’s writing, though, is more steeped in modernism as he does not include quotation marks in his dialogue, relying on periods even if a sentence is not grammatically complete … Lynch writes with such precision of language and attention to exactness that finding the truest words appears to be something else that he has in common with Hemingway … the best type of reading experience—one where nearly everything propels thinking. It grips the reader with large and unanswerable questions: What is true? What is knowing? What is meaning? Yet, somehow, Lynch provides exactly what seems to be impossible—answers.”

—Keith Contorno, The Chicago Review of Books

“… haunting … The initial quick pacing gives way to languid, sparse chapters in which the men explore their relationships, values, and spirituality … Lynch’s enchanting tale reveals the stark beauties that come from struggling to live at the mercy of the natural world.”

— Publishers Weekly

“A lucid, lyrical tale… Lynch’s spare and precise novel has a detached, almost mythical quality.”

— The Irish Times

 

“Paul Lynch won the Irish Novel of the Year 2018 for Grace, a lushly lyrical adventure story set in Famine-era Ireland. His follow-up…[is] a short but absorbing tale of the lengths to which people go to avoid admitting who they really are.”

— Metro

 

“Paul Lynch is one of our greatest writers, and Beyond the Sea is his best work yet. A sublime, elemental, fever dream of a novel that constantly tests us, tempts us, and guides us. This is a work of art that relentlessly and slyly captures not only the trials of the human spirit, but what we are doing to our environment, our world, and to each other–a profound, unforgettable journey, one I urge you to experience.”

— Paul Yoon, author of The Mountain

“Combining the sensibilities of a Joseph Conrad or a Cormac McCarthy with the poetic intensity of an Emily Dickinson, this rich, raw, and powerful seascape by Paul Lynch throws the sea’s storms and the sea’s light into the darkest corners of human consciousness. An astonishing achievement.”

— Jane Urquhart, author of The Night Stages

“A powerful, heart-breaking story of friendship forged in the most extreme conditions. With its echoes of Greek myth, it yields up those small moments of grace that are deeply transformative.”

— Mary Costello, author of The River Capture

“Beyond the Sea sets us adrift in the unbounded ocean and stuns us with beautiful, fierce insights. After the familiar world has receded and the stories we tell ourselves have dissolved, we are left to confront our barest fears and self-accusations. Paul Lynch submerges us in the wildness of our own minds; I resurfaced changed.”

— Chia-Chia Lin, author of The Unpassing

 

“Paul Lynch makes the page sing like the old masters”

— Philipp Meyer, author of The Son

“One of his generation’s very finest writers”.

— Ron Rash, author of Serena

“A novelist with the eye and the ear and the heart of an absolute master. Paul Lynch is peerless”.

— Donal Ryan, author of From a Low and Quiet Sea

 
 

contact

For publicity in North America:

Farrar, Straus & Giroux, USA — Lauren Roberts. Contact: email

For publicity in the UK:

Oneworld — Kate Bland. Contact: email

For publicity in Ireland:

Repforce — Cormac Kinsella. Contact: email

Pour la publicité en France:
Edition Albin Michel — Florence Godfernaux. Contacter:  email

Per la pubblicità in Italia:
66th&2nd — Marco Scognamiglio. Contatto:  email

Paul Lynch representation:

Literary Agent UK — Simon Trewin, London. Contact: email

Literary Agent USA — Dorian Karchmar, WME, New York. Contact: email

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